![]() ![]() The film is as rich and elegant as Farrand's landscapes. 'Not until I saw Beatrix Farrand's American Landscapes did I feel like I had just been given a gift that I waited decades for. Rakow, Associate Professor of Horticulture, Cornell University These two giants of landscape design drew on a rare combination of talent and resilience to succeed despite the many challenges they encountered.' Donald A. This film is a must view for students of landscape architecture, horticulture, and women's studies. Miller, designer of the Conservatory Gardens in Central Park and so many other notable projects, is able to bring Beatrix Farrand's legacy into a contemporary context, revealing that the principles for which her hero stood are as relevant today as they were a century ago. 'Insightful and thoroughly enjoyable.Lynden B. Lynden Miller's experience as New York City's most prominent public garden designer is woven into a wide-ranging biography of Farrand's life and times. Through the documentary, Miller journeys to iconic Farrand gardens, engaging designers, scholars and horticulturists in a spirited dialogue about the meaning and importance of this ground-breaking early 20th-century woman. Morgan, and President Woodrow Wilson, she also was an early advocate for the value of public gardens and believed strongly in the power of the natural world to make people's lives better. Farrand was responsible for some of the most celebrated gardens in the United States and helped create a distinctive American voice in landscape architecture.Īlthough she created gardens for the rich and powerful, including John D. Miller as she sets off to explore the remarkable life and career of America's first female landscape architect, Beatrix Farrand. The Holding Garden, to the northwest of the grounds, was designated to hold the plant stock for the historic cottage gardens while the greenhouse (ca.1957) was rehabilitated.BEATRIX FARRAND'S AMERICAN LANDSCAPES follows award-winning public garden designer Lynden B. Using Mary Alice Roche’s detailed 1962 planting plan of the Terrace Garden (published in Flower Grower: The Home Garden Magazine), as well as a copy of Newcomb’s Wildflower Guide for reference, the work continued from 2008 to 2012. The first phase of the work dealt with the Terrace Garden and began in 2007. In 2007 the Society commissioned a Cultural Landscape Report from the Cambridge landscape architecture firm Pressley Associates, which undertook a detailed site history, assessment of integrity and significance, a detailed plant inventory, and treatment recommendations. One of the Society’s primary goals was to rehabilitate the gardens as an example of one of Farrand’s most intimate designs. In 2003, when the Beatrix Farrand Society acquired the Garland Farm from its last private owner, the overall character of the garden had begun to deteriorate. The current effort has also reintroduced violets near Farrand’s stone bench, as well as bergenia, iberis, blue-green dwarf iris foliage, white cranesbill, and dianthus.Ī 1957 Sketchplan of the Asian Garden within the Entrance Garden by Beatrix Farrand - Image from Beatrix Farrand Society The pruning of boxwoods and rhododendrons, and the removal of ahistorical plant materials led to the discovery of an original lettered stone buried near the entrance. This second phase of work began with extensive repairs to the Farrand-Wing building, rehabilitation of the historic fence, and the resetting of the lichen-covered stepping stones forming the paths through the garden. The plan (shown below) is a sketch of a rectilinear plot consisting of two gardens-one Asian-inspired and the other with native plantings. ![]() Led by botanist Brenda Les, the Entrance Garden rehabilitation focuses on the design and replacement of the landscape’s historic plants in accord with Farrand’s original 1957 Entrance Garden Plan. The current work follows on an earlier project to rehabilitate the Terrace Garden, another important component of Farrand’s design. The cottage-style four-season gardens are a significant example of her work and bring together key elements that Farrand favored, including intimacy, sophisticated plantings, and appropriateness for a domestic dwelling. The project is part of a larger effort to renew the landscape to reflect the design of pre-eminent landscape architect Beatrix Farrand, who resided at the 4.9-acre farm, her last home, from 1955 until her death in 1959. The rehabilitation of the Entrance Garden at Garland Farm in Bar Harbor, Maine, is entering its final phase. ![]()
0 Comments
Leave a Reply. |